Giving thanks is a longstanding, central tradition among many communities, including Indigenous peoples. Long before settlers arrived, Native nations celebrated the autumn harvest with community gatherings and sharing of meals. Many Indigenous knowledge systems, both historically and currently, emphasizes gratitude for creation, care for the environment, and recognition of the human need for communion with the land and with others. In 1863, President Abraham Lincoln declared a national Thanksgiving in November to celebrate gratitude and unity amidst the turmoil of the Civil War. While various days of giving thanks occurred across the country prior to 1863, Lincoln’s proclamation solidified a shared day that would bring families together in the wake of national strife. The "First Thanksgiving" is often portrayed as a friendly harvest celebration where settlers and the Wampanoag came together to eat and give thanks. However, their interactions had much more to do with political alliances and diplomacy than a friendly celebration. In a short time after these Thanksgiving events, circumstances and relationships between European settlers and the Wampanoag and their neighbors drastically changed, and cooperation and peace were short-lived. On Thanksgiving, it's important to reflect on the diverse histories and contemporary experiences of multiple cultures that are integral to the American story. For some, this is a day of commemoration and mourning, while for others, it is one of celebration. No matter how you observe Thanksgiving, Gilcrease Museum wishes you and your family happiness.
Gilcrease Museum
博物馆、历史遗址和动物园
Tulsa,Oklahoma 612 位关注者
A leader in the preservation and study of American art and history.
关于我们
Gilcrease Museum is one of the country’s best facilities for the preservation and study of the history and art of the Americas. The Thomas Gilcrease Institute of American History and Art, commonly known as Gilcrease Museum, houses the world’s largest and most comprehensive collection of art and artifacts of the American West, including an unparalleled collection of Native American art and material.
- 网站
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gilcrease.org
Gilcrease Museum的外部链接
- 所属行业
- 博物馆、历史遗址和动物园
- 规模
- 51-200 人
- 总部
- Tulsa,Oklahoma
- 类型
- 非营利机构
地点
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主要
1400 N Gilcrease Museum Rd
US,Oklahoma,Tulsa,74127
Gilcrease Museum员工
动态
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We are deeply saddened to share the passing of Virginia Stroud, a pioneering Cherokee and Muscogee artist whose work brought to life the strength, beauty, and resilience of Indigenous women. Virginia Stroud studied art at Bacone College (Muskogee, Oklahoma) in the late 1960s and 1970, and attended the University of Oklahoma in the 1970s. Stroud’s emotive, narrative-based style combines Flatstyle painting with elements of ledger art and figurative art techniques. Stroud is one of the first women to incorporate ledger or figurative art—historically reserved for men—into her practice. She is known for celebrating the experiences of her predominately female subjects by reveling in the ordinary or everyday. “I paint for my people. Art is a way for our culture to survive . . . perhaps the only way. More than anything, I want to become an orator, to share with others the oldest of Indian traditions. I want people to look back at my work just like today we’re looking back at the ledger drawings and seeing how it was then. I’m working one hundred years in front of those people and saying ‘this is how we still do it . . . we still have our traditions.’” —Virginia Stroud Virginia Stroud (Cherokee, Muscogee, 1951-2024), Nature's Treats, 1990, gouache on board, Gilcrease Museum, 02.2106
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Dr. Chelsea Herr, Curator of Indigenous Art and Culture at the Gilcrease Museum, shares her insights on the arrival of the highly anticipated traveling exhibition, "Past Forward: Native American Art from Gilcrease Museum," now on view at The Society of the Four Arts in Palm Beach, Florida. This isn't a coincidence, but a timely reminder around Thanksgiving. ‘Not relics of the past', but a vibrant reflection of thousands of years of Native American heritage - don't miss it! https://lnkd.in/gYC-GJ-D https://lnkd.in/gYC-GJ-D
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Abigail Scott, a Short-Term Fellow at the Helmerich Center for American Research, is exploring a fascinating topic in her dissertation, "French Imperial Memory in the American West from 1760 to 1860." Learn more about how to conduct research at the Helmerich Center: bit.ly/ResearchHCAR
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Giving Tuesday is just around the corner, and we want to take a moment to introduce you to Michael, one of our amazing security officers here at Gilcrease Museum! ??? Not only does he work tirelessly to protect our priceless collection, but he also ensures the safety and well-being of everyone who visits and works here. Michael’s commitment to safeguarding our history and our community is something we’re incredibly grateful for. This Giving Tuesday, you can show your support for Michael and all the incredible individuals who make our museum a special place by donating to Gilcrease Museum. Your generous gift helps protect our collection, support our staff, and continue to provide a welcoming space for art, culture, and history. ?? Donate today and make a lasting impact! https://lnkd.in/gxB4Gnxm Thank you for being a part of our community and helping us thrive. Every donation makes a difference! ?? #GivingTuesday #Gratitude #BehindTheScenes #HeroesAmongUs
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Join us for an exclusive day trip to Crystal Bridges Museum of American Art in Bentonville, Arkansas! On December 11th, experience a guided tour of Knowing the West, a special exhibition that highlights incredible works from the Gilcrease collections. ??? After the tour, enjoy free time to explore Crystal Bridges' main collection and stunning grounds at your own pace. This is a fantastic opportunity to immerse yourself in art, culture, and nature—plus, you’ll get to connect with fellow art enthusiasts! ? Reserve your spot! https://lnkd.in/gfxFv8is ??? Albert Bierstadt (American, 1830-1902), 'Sierra Nevada Morning', 1870, oil on canvas, Gilcrease Museum, 01.2305
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Did you know Bambi (1942) may have been influenced by Native artists? ?? In celebration of Native American Heritage Month, it’s important to recognize how Native American artists have shaped our culture—often in ways we don’t even realize! Stephen Mopope, (Kiowa, 1898 - 1974), 'The Sign in the Fall,' mid-20th century, tempura on paper, Gilcrease Museum, 02.334 Acee Blue Eagle, (Muscogee (Creek), Pawnee, 1907 - 1959), 'Indian Maiden and Blue Deer-Sacred Sun and Medicine Wands', mid-20th century, tempera on paper, Gilcrease Museum, 02.432 Pop Chalee, (Taos Pueblo, 1906 - 1993), 'Two Deer', mid-20th century, tempera on paper, Gilcrease Museum, 02.65 Pop Chalee, (Taos Pueblo, 1906 - 1993), 'Forest Scene', circa 1950, tempera on paper, Gilcrease Museum, 02.527 Woodrow Wilson Crumbo, (Potawatomi, 1912 - 1989), 'Deer', mid-20th century, tempera on paper, Gilcrease Museum, 02.1703 Woodrow Wilson Crumbo, (Potawatomi, 1912 - 1989), 'Two Deer', mid-20th century, tempera on paper, Gilcrease Museum, 02.1704 Eva Mirabal, (Taos Pueblo, 1920 - 1968), Two Deer, 1943, tempera on paper, Gilcrease Museum 02.214 Woodrow Wilson Crumbo, (Potawatomi, 1912 - 1989), 'Signs of Spring', mid-20th century, tempera on paper, Gilcrease Museum, 14.1017 Woodrow Wilson Crumbo, (Potawatomi, 1912 - 1989), 'Spirit Horse', mid-20th century, tempera on paper, Gilcrease Museum, 14.842 Woodrow Wilson Crumbo, (Potawatomi, 1912 - 1989), 'Fawns', mid-20th century, tempera on paper, Gilcrease Museum, 02.314 Acee Blue Eagle, (Muscogee (Creek), Pawnee, 1907 - 1959), 'Untitled', mid-20th century, pencil on paper, Gilcrease Museum, 13.1944 Romando Vigil, (San Ildefonso Pueblo, 1902 - 1978), 'Corn Dance', mid-20th century, watercolor on paper, Gilcrease Museum, 02.328
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On our latest episode of Why Are You The Way You Are?, we welcomed Brian Lee Whisenhunt ?????, the new Executive Director and CEO of Gilcrease Museum. Brian shared his story of discovering a passion for museums at a young age, and what motivated him to return to Tulsa to lead the Gilcrease Museum into an exciting new era as they open the doors to their reimagined space! Catch the full episode of “Why Are You The Way You Are?” with Brian now on Spotify and YouTube! #labordivision #tulsapodcast #gilcreasemuseum
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???? From the UK to Gilcrease Museum, Dr. William Smith represented us at the “Isaac Watts at 350” conference at St John’s College, University of Cambridge this August! ???? Based on his research within the Gilcrease library collection, McFarlin Special Collections, and Cherokee National Research Center, Dr. Smith presented about the legacy of Isaac Watts’s hymns within the Cherokee Hymnbook (1829-present), the first book ever published in the Sequoyan Syllabary! Fun fact: Gilcrease Museum has the first edition of the original 1829 Cherokee Hymnbook! ??