GESTORAS was selected to participate in the 45th Annual Conference by Association of Arts Administration Educators that took place last week in San Juan, Puerto Rico. With the participation of half of our team: Ximena Varela & Belén Lengua Parra. Besides from this outstanding opportunity, we also won the prize for “Best presentation” of this year’s conference. We highly appreciate this, and we hope to continue celebrating women identified arts managers and contributing to a more inclusive and non-discriminatory development of the arts and cultural management ??. This year’s theme was focused on “Intersections & Innovations” and we presented a live recording - “Gestoras: Latina Cultural Managers Share their Stories”. We were lucky to have two amazing guests: Maria C. Gaztambide, PhD (CEO of Museo de Arte de Puerto Rico Museo de Arte de Puerto Rico) and Raquel Vasquez (CEO of Teatro Publico de Puerto Rico). This episode will be released soon! ???? Our whole team wasn’t able to come, but this wouldn’t be possible without Anush Titanyan and Cecilia Ivanier Varela #dreamteam?? Thanks for everyone supporting this project!
Gestoras Podcast
教育业
Washington，DC 631 位关注者
Weekly conversations in English and Spanish with Latina/e woman-identifying arts managers in the north and in the south.
关于我们
The Gestoras podcast brings you conversations with cultural managers from the north and south. We celebrate the work of Latina woman-identifying cultural managers, sharing their success stories, challenges, and learnings. Episodes alternate between Spanish and English each week. Gestoras seeks to contribute to the inclusive and non-discriminatory development of the field of arts and cultural management. ------------- Gestoras is: - Ximena Varela - Executive Producer and Host - [email protected] & [email protected] - Anush Titanyan - Producer and Social Media Manager - [email protected] - Cecilia Ivanier - Producer for Latin America - [email protected] Visual identity: Bia Silva Music: Eli Alamic ------------- Gestoras is produced and recorded in the Arts Management Program at American University in Washington, DC.
- 网站
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https://gestoras.net/
Gestoras Podcast的外部链接
- 所属行业
- 教育业
- 规模
- 2-10 人
- 总部
- Washington，DC
- 类型
- 非营利机构
- 创立
- 2023
- 领域
- arts management、gestion cultural、arts and culture、arte、cultura、cultural policy、politicas culturales、economia creativa、creative economy和podcast
地点
Gestoras Podcast员工
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Ximena Varela
Explorer, Helper, Curmudgeon. Arts management is my jam. Mi norte es el sur. Associate Professor of Arts Management, American University + Executive…
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Anush Titanyan
Arts Manager | Producer | Marketing Enthusiast
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Belén Lengua Parra
Arts Manager and Theatre artist | PA Programming - Audience Development ?MA Arts Management Candidate?
动态
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El episodio 7 sale la semana que viene!? Les presentamos a nuestra próxima invitada: la Maestra Electra Castillo, una figura importante en la música paname?a, siendo la primer mujer en dirigir la Orquesta Sinfónica Nacional en sus presentaciones. Ha dirigido coros y orquestas, y formado su propia orquesta de mujeres. Además, es gestora cultural, promoviendo la música en Panamá y trabajando en la dirección de la Red de Orquestas y Coros Juveniles del Ministerio de Cultura, programa que ofrece oportunidades musicales a ni?os y jóvenes en todo el país. No te lo pierdas! __________ Episode 7 comes out next week! We introduce our next guest: Maestro Electra Castillo, an important figure in Panamanian music and the first woman to conduct the National Symphony Orchestra in its presentations. She has directed choirs and orchestras and formed her own women's orchestra. Additionally, she is a cultural manager, promoting music in Panama and working in the direction of the Network of Youth Orchestras and Choirs of the Ministry of Culture, a program that offers musical opportunities to children and young people throughout the country. Don't miss it!
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In this episode, Zuly Inirio talks about her experience as a leader. She also highlights the importance of representation and diversity in classical operas for creating an inclusive and equitable arts community. Zuly points out that challenging traditional narratives and amplifying underrepresented voices can lead to a more vibrant and diverse opera industry. Don't miss it! _______ En este episodio, Zuly Inirio habla sobre su experiencia como líder. También resalta la importancia de la representación y la diversidad en las óperas clásicas para crear una comunidad artística inclusiva y equitativa. Zuly se?ala que desafiar las narrativas tradicionales y amplificar las voces subrepresentadas puede llevar a una industria de la ópera más vibrante y diversa. No te lo pierdas!
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Episode 6 is out there! Afro-Latina soprano Zuly Inirio shares her journey into music and opera, as well as her experiences as a Black and Latina woman in the classical music industry. She discusses the portrayal of women in opera and the need for more diverse representation. Inirio also talks about her Afro-Latinx Song and Opera Project, which aims to commission and perform works by Afro-Latin and Afro-Latinx composers.?Dr. Inirio, a multidisciplinary artist and advocate for social justice, discusses her work in opera and the intersections of art, social justice, and advocacy. Don't miss it! Link in bio ________ ?El episodio 6 ya está disponible! La soprano afro-latina Zuly Inirio comparte su trayectoria en la música y la ópera, así como sus experiencias como mujer negra y latina en la industria de la música clásica. Ella habla sobre la representación de las mujeres en la ópera y la necesidad de una representación más diversa. Inirio también habla sobre su Proyecto de Canción y ópera Afro-Latinx, que tiene como objetivo encargar y realizar obras de compositores afro-latinos y afro-latinxs. La Dra. Inirio, una artista multidisciplinaria y defensora de la justicia social, analiza su trabajo en la ópera y las intersecciones del arte, la justicia social y la defensa. No te lo pierdas! Link en la bio
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Amparo Aguilar talks about the context and challenges in cultural management in Argentina, the importance of cinema as a form of political and gender expression, as well as teamwork and leadership in arts. Link to the episode: https://lnkd.in/eeia_z5S
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En este episodio hablamos con Amparo Aguilar, cineasta y gestora cultural argentina. Se discuten temas como el contexto y desafíos en la gestión cultural, la lucha constante y adaptación en este campo, el contexto cultural y político en Argentina, el cine como forma de expresión política y de género, la movilización feminista en Argentina y la situación actual de la cultura en el país. En esta conversación, Amparo Aguilar aborda la resistencia y lucha contra el silenciamiento en el ámbito cultural, destacando la importancia de la democracia y la defensa de las instituciones. También comparte su experiencia en el proyecto Bardo Cartelera Trans Feminista, que busca visibilizar y promover el cine hecho por mujeres. Además, habla sobre el trabajo en equipo y el liderazgo en proyectos culturales, y reflexiona sobre los desafíos y sorpresas que ha enfrentado en posiciones de liderazgo. Por último, explora el concepto de Arandú originario y su presencia en sus proyectos, y adelanta su próximo proyecto titulado VORAZ, que aborda el deseo desde una perspectiva sistémica.
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In this episode of Gestoras Podcast, Carmen Marquez, the Director of Programs and Education for Harmony Project in Los Angeles, California, shares her journey in music and the impact of her Mexican cultural heritage. Carmen shares her experiences and challenges as a person of color in the classical music industry. She also discusses the loneliness of leadership, and the hierarchy and barriers faced by people of color in classical music that led her to pursue administrative roles. Hear her story at?https://lnkd.in/g9_UUBcH
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In Paraguay, it is very difficult to dissociate the manager from the artist. It is very difficult. And mainly for storytellers, because as it is a relatively new expression, it is as if one has to open up. Laura Ferreira ____________________________________ En Paraguay es muy difícil disociar al manager del artista. Es muy difícil. Y principalmente para los narradores, porque al ser una expresión relativamente nueva, es como si uno tuviera que abrirse. Laura Ferreira
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