Company 3

Exciting news! The 49th Toronto International Film Festival has wrapped up, and Company 3 proudly contributed post-production services to 32 films on this year's lineup. ?? Congratulations to all the talented filmmakers and creative teams whose films premiered at the festival, and a massive round of applause for Mike Flanagan's The Life of Chuck, graded by Jill Bogdanowicz, for winning the People's Choice Award. ?? ?? ?? ?? Check out our full recap: https://lnkd.in/eeZg33xk

'Lee' ?? ? The remarkable story of Lee Miller, a pioneering American war photographer, is told in Lee, a new biopic starring Kate Winslet. Directed by Ellen Kuras and featuring color grade by Senior Colorist Jean-Clément Soret, the film captures Miller's journey from fashion model to fearless war correspondent, documenting the indelible horrors of World War II with raw honesty and unflinching courage.?Recently premiering at the Toronto International Film Festival, #Lee is now playing in UK cinemas and coming to US theaters on September 27. ? Color | Jean-Clément Soret Additional Color | Yoomin Lee Finishing Editors | Thomas Lambert, Jeremy Crichton Color Producer | Cody Cardarelli Director | Ellen Kuras, ASC DP | Pawel Edelman Editor | Mikkel E. G. Nielsen, ACE Production Design | Gemma Jackson

Volvo ‘Meet the new Volvo EX90’ To mark the launch of the new EX90, Volvo has released an emotional short film showcasing how the EX90 is designed to be the safest Volvo car ever made. Directed by Marcus Ibanez and shot by Hoyte van Hoytema, the film features color grade by Company 3 Senior Colorist Greg Fisher. Director | Marcus Ibanez DP | Hoyte van Hoytema, ASC, FSF, NSC Agency | Stendahls Prod Co | New—Land Edit | Nik Kohler @ Cabin Edit Color | Greg Fisher Color Producers | Edwin Elkington, Kerri Aungle + Chris Anthony

Pepsi ‘Make Your Gameday Epic’ Megan Thee Stallion, Josh Allen, Derrick Henry, Justin Jefferson and Travis Kelce star in Pepsi's sequel to the iconic 2004 Gladiator commercial. Featuring color grade by Company 3 Senior Colorists Jean-Clément Soret + Matthieu Toullet. Director | Jake Scott DP | Trent Opaloch Agency | Paramount Network Prod Co | RSA Films Edit | Jim Weedon @ The Assembly Rooms Color | Jean-Clément Soret + Matthieu Toullet Color Producer | Ellora Soret VFX | Framestore

The Venice International Film Festival is wrapping up this week, and Company 3 is delighted to have provided post-production services to five films premiering at this year's festival, including one of the year's most anticipated films, Joker: Folie à Deux, graded by Senior Colorist Jill Bogdanowicz, which premiered Wednesday to an 11-minute standing ovation. ?? ? Check out our full lineup: https://lnkd.in/eJC3JT3p ? Joker: Folie à Deux | Jill Bogdanowicz The Order | Tom Poole Three Keenings | Patrick Devine King Ivory | Joseph Bicknell Happyend | Tim Masick

In September our company cultural calendar highlights Indigenous, Native, and First Nations Heritage – reminding us of the significant influences these communities have had, and continue to have, on our industry. Pictured: 1) San Gabriel Mountains - historic lands of the Gabrielino-Tongva in the area also known as Los Angeles County 2) Credit River in the traditional territory of the Mississaugas of the Credit First Nation in the area also known as Ontario 3) Etowah Mounds historic site of the Muscogee (Creek) Nation in the area also known as Georgia 4) Shawangunk Grasslands in the traditional territory of the Lenape in the area also known as New York 5) Traditional territory of the Tsleil-Waututh, S?wx?wú7mesh úxwumixw (Squamish Nation) and Musqueam Nations in the area also known as Stanley Park in Vancouver, BC.

Wishing our teams in the US and Canada a happy and safe Labor/Labour Day!

'The Crow' Director Rupert Sanders' modern reimagining of #TheCrow, based on the iconic graphic novel by James O'Barr and graded by Senior Colorist Greg Fisher in the quiet darkness of Company 3 London, is now playing in theaters. Color |?Greg Fisher Additional Color |?James Slattery Finishing Editor |?Stuart London? Color & Finishing Producer |?Gemma Saunders? Trailers | Adrian DeLude?+ Adam Frazier?+ Ariane Ackerberg? Director |?Rupert Sanders? DP |?Steven Annis? Editors |?Neil Smith, Chris Dickens, ACE Production Design |?Robin Brown?

Post Magazine delves into the meticulous color grading process behind Apple TV+’s Lady in the Lake. Set in 1966 Baltimore, the series follows Natalie Portman as an investigative journalist uncovering a series of shocking murders. To bring the era to life, director Alma Har’el enlisted the expertise of Company 3 Senior Colorist Yvan Lucas. Lucas’s meticulous approach extended to fine-tuning the show’s atmosphere. He employed techniques like adding subtle grain, selective bleach bypass effects, and careful adjustments to exposure to create a sense of depth and realism. By subtly manipulating the color palette and texture, he enhanced the show’s immersive quality, transporting viewers back to 1960s Baltimore. Read the full article here ?? https://lnkd.in/e3VNPEDX

Senior Colorist sean coleman, based at Company 3 Los Angeles, has worked with some of the world's most respected commercial directors on hundreds of spots for dozens of major national and international brands. In a recent chat with LBBonline - Little Black Book, Sean dives into his color grading process, revealing how he collaborates with directors and DPs to bring their creative visions to life while navigating both digital and film formats. Read more about Sean and his key advice for colorists?here ?? https://lnkd.in/dWp2zc9J