Our Head of Post-Production Rick Nelson shares his thoughts in LBBonline - Little Black Book’s latest feature, on breaking down the challenges shaping the industry and how they strive to keep craft alive in the AI revolution. "VFX and post production are now key players in shaping the narrative from the very beginning. Teams are collaborating more closely with directors and cinematographers, which means post isn’t just a safety net – it’s a vital part of the creative process. AI is fundamentally changing the game by handling repetitive tasks like tracking and rotoscoping. This not only saves time but also allows our teams to concentrate on higher-level creative decisions, though human oversight remains essential.” ??https://lnkd.in/gWMYVtGb #postproduction #technicolor #themill #posthouse #vfx #color #industrytrends #visualeffects #ai #filmlouisiana
It’s been a heavy week for the post-production industry following the Technicolor news. Having long been a giant in the post-production landscape, the closures will have a huge impact on the future of the industry. So, while we hope for the best as events unfold, how do industry experts see the year shaping up for the wider VFX and post landscape? In this piece, LBB's Sunna Coleman speaks to Covert's Simon Dewey; Heckler HQ’s Piotr Stopniak; WTBR (Where The Buffalo Roam)'s Simon Mowbray; Cadence Post's Rick Nelson; Deutsch's Diego de la Maza; Heckler Singapore’s Cody Amos; GATE+, a Tag company’s Dean Wyles gate; Atmos Studios VFX’s Andreas Wanda; Significant Others’ Thom Reimerink; Jogger Studios' Alicia Cargile; Juice Tokyo’s Micha? Dwojak-Hara; The Embassy in LA’s Kenny Solomon; Uncovered's Jordan M Paterson. Read here: https://hubs.la/Q038BMQm0