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The 78th edition of the Cannes Film Festival is shaping up to be a game-changer. With the first post-strike Cannes seeing a flood of submissions, competition is fierce—especially among American auteurs: ?? Spike Lee – Highest 2 Lowest (starring Denzel Washington) ?? Wes Anderson – The Phoenician Scheme (A-list ensemble) ?? Ari Aster – Eddington (Western black comedy with Emma Stone) ?? Richard Linklater – Nouvelle Vague (French-language drama) ?? Kristen Stewart – The Chronology of Water (her directorial debut) So far, Jim Jarmusch’s Father Mother Sister Brother is the only confirmed entry, but insiders say pressure is high with so many contenders vying for limited slots. Cannes’ growing influence on Oscar outcomes is undeniable. Last year’s Palme d’Or winner, Anora, went on to claim Best Picture at the Academy Awards—proof that the Cannes-to-Oscar pipeline is stronger than ever. As the Academy continues to diversify globally, films that captivate European audiences are finding greater recognition stateside. This aligns with what we at BENlabs have been saying all along: independent films are winning big. The era of Cannes as an essential Oscar scouting ground is here—because in today's industry, prestige and visibility go hand in hand. Are you keeping an eye on Cannes' impact on awards season? #Cannes2025 #FilmIndustry #Oscars #IndependentFilm https://lnkd.in/gFWm3zNq