?? AbelCine 2024-2025 Project Highlights Reel ??
AbelCine
电影、视频和录音制作业
Brooklyn,NY 10,273 位关注者
AbelCine is a cinematic integrator with over three decades of experience in the cinema and broadcast spaces.
关于我们
AbelCine is a cinematic integrator with over three decades of experience in the cinema and broadcast spaces. With locations in Los Angeles and New York, we have three areas of focus: equipment supply, system integration and production services. As a systems integrator, AbelCine is unique because we can tap into the full range of knowledge and services we offer in house. Our Sales and Rental teams have expertise supplying production equipment for content creators, media organizations, corporations, houses of worship, and educational institutions. Our technicians offer authorized, factory-level service on cinema equipment from partners such as Angenieux, ARRI, Canon, Cooke, MultiDyne, Sony, ZEISS, and more. Production Services leverages the latest tools, methods and technology to provide crew, tech talent and associated services to pre-produced and live productions. Learn more about our locations and services: https://www.abelcine.com/locations Visit our technical blog: https://www.abelcine.com/learn
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https://www.abelcine.com/
AbelCine的外部链接
- 所属行业
- 电影、视频和录音制作业
- 规模
- 51-200 人
- 总部
- Brooklyn,NY
- 类型
- 私人持股
- 创立
- 1989
- 领域
- Film、Digital Cinema、Camera、Optics、Training & Education、Lenses、Monitor Calibration、Equipment Financing、Integration Solutions、Cinematic Integration、Cinematic Broadcast、Multi-camera Production、Repair & Maintenance、Cinematic Lighting、Systems Integration、Production Services、Equipment Rental、Equipment Sales和Specialty Crewing
地点
AbelCine员工
动态
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ARRI ALEXA 35 Live + Coachella = ??????
ARRI Alexa 35 Live Systems headed to Coachella
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AbelCine转发了
NYU’s Martin Scorsese Virtual Production Center Earns LEED Platinum NYU’s Martin Scorsese Virtual Production Center achieved LEED Platinum certification and will receive a LEED Platinum plaque presented by the U.S. Green Building Council (USGBC) at a ceremony March 25. This is the university’s first LEED Platinum Commercial Interior project and another milestone in its sustainability efforts. The highest level of certification in the Leadership in Energy and Environmental Design (LEED) program, the Platinum certification celebrates the state-of-the-art facility Industry City in Brooklyn that opened last fall. It is the latest climate achievement for the Tisch School of the Arts, which is a member of the Green Film School Alliance. In addition to achieving LEED Platinum, the virtual production center has adopted stringent environmental guidelines used in professional film production, including restrictions on the use of plastic bottles, preference for rented rather than newly built sets, and the donation of props and other materials to local organizations. The Martin Scorsese Virtual Production Center opened in September and was made possible by a donation from the Hobson/Lucas Family Foundations by Mellody Hobson, co-CEO of Ariel Investments, and filmmaker George Lucas. The largest gift in the history of the NYU Tisch School of the Arts, it funds the state-of-the-art center as well as the Martin Scorsese Institute of Global Cinematic Arts and scholarships. “We are committed to positioning Tisch at the forefront of innovative filmmaking technologies while upholding our responsibility to sustainable practices that protect our planet, and are absolutely thrilled with the new facility,” says Tisch Dean Allyson Green. “These advancements wouldn’t be possible without the support and generosity of the Hobson/Lucas Family Foundations, led by Mellody Hobson and filmmaker George Lucas.” Read More Here! https://lnkd.in/eNAiqGAd https://lnkd.in/eUK9hnZt Lux Machina Consulting Lux Stage NEP Group, Inc. NEP Sweetwater Pete Abel Rich Abel AbelCine Archstone Builders Design Republic AMA Group Industry City New York University NYU Tisch School of the Arts NYU Tisch Film & TV Mellody Hobson #leed #brooklyn #virtualproduction #martinscorsese #georgelucas
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AbelCine转发了
In immersive filmmaking,?camera movement is a tricky subject. While traditional cinema relies on dynamic shots to add drama and depth into a scene, filmmakers creating content for headsets have often shied away from movement out of fear it would cause motion sickness. After all, in immersive, viewers control their perspective, and adding movement could disrupt that delicate balance. But #Apple, ever the pioneers of pushing the boundaries of technology, decided it was time to break that mould. Discontent with simply delivering a passive show – they wanted to, for their new?Concert for One?series, create something that felt truly transportive. And who better to team up with than #Metallica, the band with an insatiable desire to flip the usual rock-and-roll power dynamic, offering their music in ways that would make the average diva balk.? But doing this, of course, requires some rather clever technology. To give audiences the feeling of being “in the moment”, movement was essential – and not just any movement, but the kind that feels natural and immersive without making viewers reach for their sea-sickness wristbands.? And while the production used some experimental tech – tools long employed in traditional 2D filmmaking – it was Motion Impossible’s AGITO Cine that proved crucial for static repositioning and subtle vertical movement. Evolved from the M-Series, a robotic dolly that carved its niche in VR/360, AGITO Cine is a modular, remote-controlled system tailored to high-end film, TV and immersive content. With its deep experience in this space, Motion Impossible delivered movement?that felt subtle. Typically seen tracking subjects at speeds up to 17mph and down to more deliberate movements as slow of 0.5cm/s, AGITO Cine found a new purpose in Apple Immersive Video’s?Metallica.?Using two systems, paired with the AGITO Column, its role was to facilitate rapid static repositioning. But it wasn’t just about getting into position and capturing the action as it unfolded; AGITO Cine also delivered precise and remote vertical movement, offering low and eye-level perspectives that deepened the scale of the performance.? Now, you might be thinking: why not just use multiple tripods? Well, the venue itself with its large circular stage and the “snake pit” (which, for the uninitiated, is a 360-degree fan zone right in the centre of the stage), required something more flexible. To have cameras littering the venue, each perched awkwardly on tripods, would’ve been both practically difficult and visually distracting. The space was already tight enough with the massive audience and adding more cameras would only have created a cluttered, chaotic environment. Rob Drewett, CEO & co-founder of #MotionImpossible adds, “Not to mention, it’d be costly and time-consuming.” Want the full story? Head to our website: https://lnkd.in/exizhRUS #immersive #AVP #VR #AGITOCine #spatial
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#NABShow ???????? ??????????: ?????????????????? ?????????????????????? ???? ???????? ???????????? ???????????????????? ??? Tuesday, April 8 ? 11:45 AM - 12:30 PM PDT ??West Hall Theater 1 (W1768) ?? https://lnkd.in/eV6U2p2G Featuring: Tim Corder (VP, Faith & Performance, Diversified) - ?????????????????? Chad Vegas (Live Video Director, Transformation Church) Tyler Tritten (Technical Director, Transformation Church) Austen Varian (Production Creative Director, Gateway Church) Isabelle King (Broadcast Video Director, Gateway Church) Jeff Lee (Director of Education & Product Specialization, AbelCine) Geoff Smith (Technology Specialist , AbelCine) NAB Show ? Diversified ? Gateway Church ? Transformation Church
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?????????????? ??????????????????: ?????? ???????????? ?????????????????? ???????????? AbelCine served as the event producer and technical consultant for NBC Sports' recent Technical Summit at All Mobile Video in New York. Key decisions makers from across NBC Sports properties were able to get an up-close look at the latest technologies from multiple manufacturers and preview their new offerings. The two-day event featured hands-on demos, in-depth presentations, and interactive workshop sessions. See our full Project Spotlight for more details and even more photos: ?? https://lnkd.in/eTbYYFYD ?? Dawn Terranova ? Jeff Lee ? Joe Facchini ? Geoff Smith ? Nathan Robb ? Andrew Finkel ? Rey Reyes ? Kamal Bhangle...and many more!
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Want to learn more about this amazing studio directly from the people involved? If you're attending #NABshow, be sure to catch this special panel in the West Hall: ???????????????????? ?????????? ???? ?????? ??????????????: ?????? ?????????????????? ?????????????? ???? ?? ???????????????????? ?????? Sunday,?April 6 @ 4:25 PM - 4:55 PM PDT W2631 Theater 2 - West Hall Speakers: Adam Wilde ? Ryan H. ? Kari Hess ? Matthew Lorenzen ?? https://lnkd.in/dDFCkBxS | NAB Show
Exciting news! TRG Multimedia has launched their new 8,000 sq. ft. virtual production studio, powered by Disguise Studio Pro. With a premium-grade LED volume and portable hardware rack, plus installation, training and 24/7 support, our turnkey virtual production solution enables TRG to bring Hollywood-level production to the Midwest—giving brands, agencies, and filmmakers an advanced, full-service production environment under one roof. Learn more: https://lnkd.in/d6pM9Pbj #VirtualProduction #LEDWall #StudioPro #PoweredByDisguise
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"If you can't be there, be at Cosm."
The world of immersive entertainment is evolving rapidly, and Cosm is at the forefront of redefining how fans experience live sports via its Shared Reality venues in L.A. and Dallas featuring immersive an 87-foot diameter LED dome and 150-foot-wide LED display. From courtside seats at the NBA Finals and World Series to front-row views of the UFC and Super Bowl LIX, Cosm pushes the boundaries of what it means to “be there” without physically being there. Now the company is taking on a variety of new challenges, including NASCAR’s Daytona 500 last month, the PGA TOUR’s PLAYERS Championship this week, and the NCAA Men’s and Women’s Basketball Tournaments beginning next week. SVG sat down the?Devin Poolman, chief product and technology officer, Cosm, to explore how Cosm approached its first NASCAR event at Daytona, its expansion into golf at THE PLAYERS Championship, the company’s ambitious plans for March Madness, and how its proprietary technology is shaping the future of sports viewing both inside and outside its venues. From custom-built immersive lenses to innovative audio-capture techniques, Poolman discusses how the company’s technology not only serves the Cosm experience but also benefits leagues and broadcasters. ??? : https://lnkd.in/eWzzEMEw
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Super proud and excited to have worked with NBC Sports to make this happen at All Mobile Video! “The timing is perfect...because we are actively in planning stages right now for all of our fall sports launches — college football, college basketball, NFL, and NBA — and then we have Olympics and Super Bowl coming up next year. We have a lot on our plate, and this allows us to bring all the key leaders from across the company together to have open conversations with vendors and product owners.” ?? Jeff Lee Dawn Terranova Andrew Finkel Geoff Smith Joe Facchini Gabriel Mays
What a great opportunity to collaborate with many manufacturers, partners, NBC producers and technical leadership. A special shout out to AbelCine ! https://lnkd.in/eCtCAdrN