What are the key steps to recording ADR in post-production?

1 Prepare the script and the cues

The first step to recording ADR is to prepare the script and the cues for the actors. The script should include the original dialogue, as well as any revisions or additions that are needed for the final cut. The cues are the visual and audio signals that help the actors match their timing and delivery with the original performance. The cues can be created using software such as Pro Tools or Adobe Audition, and can include beeps, countdowns, or scrolling text. The cues should be clear and consistent, and allow enough time for the actors to prepare and breathe.

2 Set up the studio and the equipment

The second step to recording ADR is to set up the studio and the equipment for the session. The studio should be acoustically treated and isolated from external noise, and have a comfortable and relaxed atmosphere for the actors. The equipment should include a microphone, headphones, a monitor, a sound card, and a recording software. The microphone should be similar to the one used on set, and positioned at a suitable distance and angle from the actor. The headphones should allow the actor to hear both the original dialogue and their own voice. The monitor should display the cues and the footage, and be visible to both the actor and the engineer. The sound card and the recording software should be compatible and calibrated, and have enough storage and processing power.

3 Record the dialogue and review the takes

The third step to recording ADR is to record the dialogue and review the takes. The engineer should guide the actor through the cues and the script, and record multiple takes of each line. The actor should try to match the tone, emotion, and lip movement of the original performance, and avoid any pops, clicks, or sibilance. The engineer should monitor the levels, the quality, and the sync of the recordings, and make any adjustments as needed. The engineer and the actor should review each take and select the best one, or record more if necessary. The engineer should also label and organize the files, and backup the recordings.

5 Export and deliver the dialogue

The fifth step to recording ADR is to export and deliver the dialogue to the final destination. The engineer should export the dialogue tracks as separate files, or as a single file with the rest of the soundtrack, depending on the specifications of the client or the platform. The engineer should also choose the appropriate format, sample rate, bit depth, and codec for the files, and ensure they meet the quality and compatibility standards. The engineer should also name and label the files clearly, and compress them if needed. The engineer should then deliver the files to the client or the platform, using a secure and reliable method, such as a cloud service, a hard drive, or a FTP server.

6 Communicate and collaborate

The sixth and final step to recording ADR is to communicate and collaborate with the other parties involved in the post-production process. The engineer should communicate with the director, the editor, the sound designer, and the actor, and share the feedback, the progress, and the results of the ADR session. The engineer should also collaborate with them to make any revisions or corrections, and ensure that the dialogue meets the creative and technical expectations of the project. The engineer should also thank them for their contribution and cooperation, and maintain a professional and respectful relationship.

7 Here’s what else to consider

This is a space to share examples, stories, or insights that don’t fit into any of the previous sections. What else would you like to add?