Shooting outdoors with sudden wind gusts threatening your gear. How do you ensure its safety?

In severe shooting condition, always protect yourself first, then the gear. Wear a waterproof hoodie, protect your camera/lenses with their own "poncho" to make sure they are dry and fully functional. I use a strong ziplog bags to cover my cam body and use a lens hood for extra coverage in stormy windy wet environment. And! Solid shoes with good grip!

Shielding photography equipment from sudden blasts of wind: 1. Steer clear of touching the camera and use a tripod for steadiness. 2. To protect your equipment from wind and rain, get a rain cover or windshield. 3. To keep rain and wind from scratching your lens, use a lens hood. 4. For safety, look for covered places or make use of natural barriers. 5. If a sudden burst of wind approaches, be ready to cover your camera fast. 6. After shooting in windy circumstances, check your equipment for damage.

When shooting outdoors, ensure your gear's safety by securing your tripod with a weight bag, lowering the tripod legs for stability, and using protective covers for your camera and lenses. Stay aware of changing weather conditions to adjust your setup as needed. Keep your shots sharp and your gear safe!

Antes de comenzar, observá el entorno. Identificá áreas donde el viento pueda ser más fuerte y busca refugios naturales, como árboles o edificios, que puedan proporcionar protección. Bajar la velocidad de obturación puede ayudar a compensar las vibraciones causadas por el viento. Además, usa un filtro polarizador para reducir el deslumbramiento y mejorar el contraste, lo que puede ser útil en condiciones de viento.

Wenn du drau?en bei windigem Wetter fotografierst, solltest du darauf achten, dass die Objektivdeckel immer auf den Linsen bleiben, wenn du gerade nicht fotografierst. Das schützt das Glas vor Staub und Schmutz. Zus?tzlich kannst du UV-Filter nutzen, um den Linsen einen extra Schutz zu geben. Beim Wechseln der Objektive ist es ratsam, dich mit dem Rücken zum Wind zu drehen und die Kamera mit deinem K?rper abzuschirmen, um zu verhindern, dass Staub ins Ger?t gelangt. Eine Blasbürste hilft dir, eventuelle Partikel von den Linsen zu entfernen, ohne sie zu zerkratzen.

In those situations I'd advise NEVER to change lenses in those conditions. Take extra backs/bodies instead. On a simple balance of common sense, practicality, risk, and probability you're more likely to get particles inside the camera or damage coupling mechanisms with cold fingers etc

Algo que acho útil é ter em campo um tecido ou um plástico do tamanho de uma toalha. Com ele eu posso criar algo como uma "cabana" e proteger os bocais da camera e objetiva enquanto fa?o a troca.

Na minha prática, sempre evito fazer a troca de lentes em um ambientes hostis, mas se necessário, procuro colocar o equipamento dentro da roupa, ficar de costas para o vento e só assim, fazer a troca de lentes, bem como a troca de bateria e cart?o de memória.

Uma coisa que sempre foi útil para mim é, só abrir a mochila de foto em momentos necessários. Se eu estiver fazendo uma foto rápida, mantenho em meu corpo, se for para um período longo, sem me mexer, estando o vento muito forte, eu coloco uma das al?as da mochila entrela?ada com uma de minhas pernas.

W?hrend eines Shootings mit Windb?en lege ich den Rucksack mit meiner Ausrüstung grunds?tzlich nicht ab. Die Kameraausrüstung ist dann immer auf meinem Rücken.

Your camera bag definitely has the most delicate and sensitive equipment you wull have as a photographer. As a safety precaution, I recommend you only carry necessary gear to the shoot, and keep it small. In fact all in one. Camera body, a lens or two, fully charged battery pack, trigger already mounted. The rest of the equipment must be secured in a bag and enclosed somewhere. However if I have to have the bag, it has to be in my person, on my back or anchored under my tripod in case in need it fast.

Wenn du bei Wind drau?en unterwegs bist, achte darauf, dass deine Kameratasche immer geschlossen ist und nicht in die Windrichtung zeigt. Lege sie auf den Boden, um zu verhindern, dass sie umkippt oder weggeweht wird. Es kann auch hilfreich sein, die Tasche als zus?tzlichen Halt für dein Stativ zu nutzen. Indem du sie auf dem Stativplatz oder in der N?he platzierst, kannst du das Stativ weiter stabilisieren und verhindern, dass es bei starken B?en umfallen k?nnte.

We have to keep close the zips of the bag always. Dust is the first enemy of camera and its accessories. We have to put the bag in a place that sit statically. Wind sometimes can throw away a man, so bag position should be in a static position.

I always make sure to double-check that everything is securely fastened before heading out. A simple carabiner or zippered pocket can save you from the frustration of losing gear in the field. And you're spot on about loose cables—those can be a real hazard in windy conditions. It's all about thinking ahead and staying organized so you can focus on getting the shot.

Quando fotografo em ambiente externo com ventos fortes, todos os pequenos acessórios que n?o est?o em uso, ficam devidamente guardados nos seus cases, estes por sua vez, na mochila e a tampa da lente, para ficar fácil, sempre no mesmo bolso da roupa.

Wenn du drau?en bei Wind fotografierst, solltest du darauf achten, dass kleinere Zubeh?rteile wie Speicherkarten, Objektivdeckel und Filter sicher verstaut sind. Verwende dafür Rei?verschlusstaschen oder Karabinerhaken, um sie gut zu sichern. Auch lose Kabel und Gurte sollten festgebunden werden, damit sie sich nicht im Wind verfangen oder eventuell deine Ausrüstung besch?digen. Das hilft dir, dein Zubeh?r nicht zu verlieren und sorgt dafür, dass alles sicher bleibt.

Windshields for Microphones: If you’re recording audio, use windshields or blimps for your microphones to reduce wind noise and protect the equipment. Lens Hood: A lens hood can help shield your lens from debris and reduce the risk of damage from sudden gusts. Weather-Sealed Gear: Whenever possible, use weather-sealed cameras and lenses. This adds an extra layer of protection against dust and moisture. Protective Covers: Keep protective covers or rain sleeves handy for your camera and lenses. These can be quickly deployed if the weather takes a turn for the worse.

Dans le cas de photographie en mouvement, je vous conseille d’avoir un harnais pour accrocher l’appareil. En plus c’est encore plus pratique quand vous devez jongler entre deux bo?tiers. Les sécurités sangles + clips peuvent être un bon combo contre les conditions météo capricieuses.

One thing I have found helpful is using a tripod in windy situations. I also highly recommend using a remote trigger or shutter release. The less I have to touch the camera the better. The in-camera timer is also helpful.

Na minha experiência, se você está numa situa??o de muito vento, mesmo tendo luz suficiente para fotografar na m?o, procuro utilizar tripé (ancorado com a mochila pesada) e deixar a velocidade de disparo (obturador) o mais alta que a fotometria me permitir.

Shoot in Burst Mode: Taking multiple shots in quick succession increases the chances of capturing at least one sharp image, even if the wind causes slight movements. Enable Electronic First-Curtain Shutter (EFCS): If your camera supports it, use EFCS to reduce the impact of mechanical vibrations caused by the shutter movement, which can be more noticeable in windy situations. Lean Into Your Tripod: Position your body against the tripod to add extra stability, but be cautious not to introduce any vibrations yourself.

Fotografar Corrida de Rua Procure se posicionar em local onde tenha sol se possível um local amplo, pois foto fica mais bonita. Se tiver entre prédios, procure uma frecha de luz solar para dar uma dá um destaque melhor a sua foto, assim ficará uma ilumina??o diferenciada na foto e mais destaque.

Be Mindful of Your Surroundings: Watch out for loose debris or objects that might get blown into your gear. Keep an eye on your surroundings and adjust your position as needed.

It's a common misconception among photographers that the sensor is exposed and extremely fragile. In most cameras, the sensor is protected by a thin sheet of glass or plastic that can be cleaned with no fear damage to the sensor. Usually, you should clean your sensor once every six months or so, but if you're shooting in harsh conditions, you may need to clean once every couple of weeks. Use a blower to remove any loose dust while holding your camera upside down. For the more stubborn stains, you should use swabs with microfibre material at the end. Dab two drops of cleaning fluid onto the swab and apply some pressure as you wipe towards one side, then flip and wipe the other way. Never use the same swab twice.

To ensure your gear's safety during outdoor shooting with sudden wind gusts, prioritize stability and protection. Use a sturdy tripod with a heavy-duty head to anchor your camera. Invest in a lens hood to shield your lens from windborne debris. If gusts are particularly strong, consider seeking shelter or using a windbreak. Always keep a close eye on your equipment, and be prepared to react quickly if a gust threatens to knock it over.

This is an important stop many of us photographers tend to ignore or genuinely forget. make sure after every shoot you clean your lenses and camera. Use the blower to remove any dust particles from the lenses and camera sensor. Open up your tripod extender rigs and clean them of sand or any other grit to avoid any wear on the threads that may compromise your tripods integrity.

Once home, your gear deserves the royal treatment—think of it as a spa day for your equipment. Dust is the sneaky villain, hiding in cracks and crevices, ready to cause trouble. Start by brushing away loose dust, like you're CSI: Camera Edition, meticulously dusting for fingerprints. For lenses, use a soft brush, then a microfiber cloth with lens cleaner to remove smudges. When it comes to your sensor, use a specialized air blower to clear debris, or a sensor swab if you're confident. A clean kit today avoids a costly "repair bill horror story" tomorrow!