What are some ideal templates for writing a book?

The Hero's Journey, pioneered by Joseph Campbell, offers a new model for storytelling that is popular in many genres. It describes a universal narrative model that starts with the eternal life of the hero, continues with humor, and goes through trials. After that, the hero changed, collected the gifts, returned to the mortal world and became enlightened. This framework forms the basis of fantasy, adventure and selected science fiction genres and provides a narrative that is familiar to the audience. It gives the story depth and resonance, inviting the reader into the protagonist's journey of growth and self-discovery.

By prioritizing character development and integrating symbolism and thematic elements, storytellers can effectively utilize the Hero's Journey template to craft compelling narratives that resonate with readers. This proven narrative arc, rooted in mythological studies, provides a universal pattern that taps into the human experience, making it particularly suitable for genres like fantasy, adventure, and science fiction. Through the protagonist's journey of growth, transformation, and enlightenment, readers are drawn into a rich and immersive storytelling experience that leaves a lasting impact.

I opted for various authors when we put together my catalogue. It is divided into chapters. The book opens with an autobiographical piece covering the foundational years of my childhood because it would be difficult for anybody else to do this section. Some chapters are not in essay format but are interviews conducted by my editor and key figures on my path in art. The book is in what is referred to as an 'American A4' format, this is a size very reminiscent of high-quality magazines and the catalogue also reads a bit like one of those publications because of the layout we selected. It feels and looks like a magazine one has to read. I am proud of a publication that taught me an incredible amount about writing and publishing.

Every story, however ordinary, is a hero’s journey. There are small and big battles that people are fighting every day. A writer’s skilfulness lies in taking any of these battles and expanding it on the template of a hero’s journey. Points to keep in mind: - No character is a hero. It is the writer’s skill that makes them so. - Even while depicting the ‘ordinary’ life of the hero, the writer should be able to make the special traits stand out. - The ‘call to action’ needn’t be a single event. - The hero’s victory could be physical or mental.

Outline Template: Create a structured outline outlining key chapters and their content. Chapter Summary Template: Develop a template for summarizing each chapter's main points and key takeaways. Character Profile Template: Use a template to develop detailed profiles for characters in fiction books, including their backgrounds, motivations, and arcs.

Three-Act Structure (Common for Fiction): Act 1 (Setup): Introduce your characters, setting, and central conflict. This act establishes the world and the characters' motivations. Act 2 (Confrontation): Raise the stakes for your characters. They face challenges and obstacles related to the central conflict. This is the meat of the story where the plot thickens. Act 3 (Resolution): The characters face a final showdown or resolution to the central conflict. The story reaches its climax and concludes with a satisfying ending. This act might involve tying up loose ends and offering closure.

The Three-Act Structure is common with books & movies. (The Basic 101: Setup, Confrontation, and Resolution.) In the first part, you meet the heroes, see where they live, and find out what big problem they have to solve. For example, in "Finding Nemo," the first part shows Nemo getting captured and his dad, Marlin, setting out to find him. The second part is all about the journey, filled with dangers and helpers, like Marlin meeting Dory and escaping sharks. The final third part wraps everything up. Marlin finds Nemo, and they figure out how to get back home, solving their problems. This structure keep stories interesting from start to finish, making sure people can't keep their eyes on the screen or book.

Act 1; Setting Stage Introduce your character and their world. Show characters life and routines. Present challenge or conflict that will shake up characters world. Wrap up Act 1 with a moment "inciting incident" that pushes character towards circumstances. Act 2; Facing Challenges Raise the stakes for your character. Explore your characters evolution and growth through these challenges. Include a turning point where the character faces setbacks or unexpected developments. Ramp up the tension as the character moves closer to confronting the conflict. Act 3; Finding Closure Build towards the climax. Raesolve the conflict revealing how the characters decisions and actions unfold. Provide closure, for both characters and storylines.

The three act story structure is one of the most minimal ways to describe a story. Think of it as an upside-down V. The bottom is the inciting incident which leads to the peak of the V, the climax. Then you have falling action that leads back to the bottom, or the resolution. I find it's extremely helpful to articulate these three areas before I start writing: - Where does my story start? - What's the big goal my character is working toward? - How does my story end? This keeps my from going off plot and waisting valuable reader-time!

I believe that the best stories are in the delivery. Mixing all of these 7 points together. Story telling shouldn't have guided deli

Writing a story on a character-driven template is an intense exercise. The author virtually lives the life of the protagonist, their thoughts, memories, likes, dislikes, everything. This can be tricky too, as the character might lose consistency if the author wavers a bit. These pointers can help write a strong character-driven story: - Never forget that the protagonist of the story is not you (unless of course it is autobiographical). - Live in the mind of the character, yet keep yourself dissociated from them. - Maintain this fine balance without fail. - You know you are doing it right when the character comes alive, and calls the shots about the progression of the story, without worrying about your (the author’s) personal preferences.

It is a myth that non-fiction books should have a conventional structure with statement of purpose, elucidation and conclusion etc. You must not be afraid to experiment with structure to make your book stand out. I started one of my books, Vediquant, with a mystery and the questions it brought along. The feedback on this was lovely beyond my expectations. In another non-fiction book, I started in the middle, with a picturesque description introducing the main theme. I’ve been told many times over, that this book generates interest like fiction. As long as the framework justifies the theme, and has no leaks, experimentation should not be avoided.

The non-fiction framework begins with the following: 1. Introduction 2. Body (chapters, sections and case studies) 3. Conclusion where the summary of the book purpose is clearly stated.

Non-Fiction Templates: Non-fiction templates tend to be more flexible depending on the topic and purpose of the book. Here are some common structures: Problem-Solution: Identify a problem, explain its causes and effects, and offer solutions. Chronological: Present information in a sequential timeline order. Compare and Contrast: Analyze similarities and differences between two or more concepts.

The snowflake method when ingrained with a lot of plot twists, can lead to an audience at the edges of their seat. To disagree with a common notion or narrative in the story is hard to execute but if done well, results in a nuanced narrative masterpiece.

The Snowflake Method is like building a snowman for your story. You start with a tiny snowball—that's your one-sentence story idea. Just like "A boy learns he's a wizard and goes to magic school." Then, you keep adding more snow to make it bigger, detailing your story bit by bit. You decide who the boy meets, his friends and enemies, and the big challenges he faces at wizard school. Each step adds layers, like a snowman getting a body, a head, and then a hat and scarf. Before you know it, your simple snowball idea is a fully decorated snowman, or in this case, a complete story with exciting adventures and characters everyone loves.

The best writing template is the one that fits YOU. Reach out to a book coach who can help you to find the one that fits you!

The most powerful template is the one which is well aligned with the purpose, audience and your style. Templates are subject to change as per diversity.

It's good to know the various writing styles so that you can adjust accordingly.. I currently use the nonfiction method for my self-help books

Outline Your Book: Develop a detailed outline that maps out the major plot points, character arcs, and chapter themes. This will help ensure your story is cohesive and well-paced. Consider Pacing: Balance moments of action, suspense, and reflection to keep your reader engaged. Focus on Your Reader: Structure your book in a way that is clear, logical, and engaging for your target audience.

The coursework I've had in College only covered analytical writing. This didn't cover storytelling or creative writing. I hope to learn these techniques in future classes.