What do you do if technical issues arise on a film set?

"Staying calm" is rule #1. Next is "show no fear." Be like a boat on the water. Let the waves go under you. I was once asked by a crew member why I never freak out. I replied, "Oh, I freak out... I just don't let YOU know I'm freaking out." As a producer, you need to absorb the issue and turn to the Department Head where the technical issue has come up... He or she will be able to more accurately diagnose the problem and then present possible fixes or workarounds. Your job is then to parse that information (bearing in mind a variety of factors like cost vs time) and decide on a solve. In the absence of an immediate solution, you need to then brainstorm temporary solutions that get the filmmaker closest to his or her original vision.

Oo yes! Technical issues can arise at any moment. Whether it's a camera malfunction, sound interference, or lighting problems, it's important to know how to handle these issues efficiently and effectively to keep the production running smoothly. Take a deep breath, assess the situation, and stay focused on finding a resolution. Something else; Check all connections, batteries, and settings to see if there is an obvious problem that can be easily fixed. Sometimes a simple adjustment or reboot can solve the problem quickly and get the production back on track..Overall, Be Calm!

Accept the fact that at some point technically issues will plague your project. Stay calm and assess the issue, turn bad examples into teachable moments with a positive spin. Pick up, never put down others invested in working on a project and allow others to share in creative ways to correct problems.

Always have at least 2 cameras with you on set (not counting your cell phone, which will actually do a great job in a pinch!)

Always keep an open mind when trying to find solutions to technical issues. Problem-solving on the fly can be easy when you follow step one and keep calm. Camera malfunction and no backup? No time to get to a rental house? Always keep a cell phone mount for your tripod in one of your gear bags, it will work in a pinch and most phones record really nice video. It can also work as a microphone and get some decent audio quality. It's better than nothing!

At the end of the day, you're on set to capture visuals and audio to tell a story- whether it's a film set or corporate video. It's not always about having the best gear you can buy or rent, it's about conveying a message and connecting with your audience. Use the tools you have at hand to do the best you can do, keep a calm and positive attitude around the rest of the crew and client, and always focus on getting the story!