How can actors work effectively with fight choreographers?

Me parece que, como actores, es completamente necesario comprender el por qué la lucha escénica está ahí. La lucha escénica es parte de la dramaturgia, de la acción, y sigue su misma causalidad. Como el texto: si no tiene que estar no debería estar. Si está, es porque dice algo.

I think all of the above mentioned ideas are important as a whole! Communication and cooperation are key as well! Many times, I've seen the different areas of production and cast fight over things. We all need to get along, no I in team! And, sometimes we do have to compromise or meet in the middle.

As an actor, you should be mindful of the needs of the project as well as any limitations you may have. Communicate these early. Sometimes the project may require certain things, and other times they may be able to modify them. If you feel unsafe, communicate that so the production as there could be things production can do to add safety measures.

I agree - very well explained Fight choreography is like dance and must be learned through a process. Have patience with the process and rehearse your moves even when not in the rehearsal hall with a partner. Take notes on the moves to remind you of the choreography.

Comprendiendo que la lucha escénica es, en sí misma, parte de la acción, lo siguiente es ver cómo esta funciona. Como toda acción dramática (esta palabra es importante, no toda acción es dramática), tiene conflicto. Y por ello hay fuerzas enfrentadas. Y se enfrentan por algo. Esas motivaciones del personaje son las que tienen que trascender a la pelea. Si alguien coreografía una pelea que vas a hacer, tiene que tener eso en cuenta. Y tú, como actor, del mismo modo que interpretas un texto, tienes que interpretar los movimientos como parte de esa historia. Todo lo demás es técnica, saberte la coreografía y, obviamente tener cuidado. Sobretodo cuando hay emociones de por medio, es muy fácil que se te vaya, literalmente, la mano.

Practice. Practice. Practice. Precision and muscle memory is important. And, communicate what you are not comfortable with. It’s tough to look good as well as executing scenes that are believable and safe.

Above and beyond everything is your own carrier and look in the film, once the actor or actress starts surrendering without being rigid they learn fast... I know it's easy to say and difficult to perform but the best way to look best as an Actor is to allow the new change in our body and follow the choreography, you learn new tactics, new stunts and ultimately it will give u new opportunities to perform better....

Así que recuerda: sobretodo hay que tener en cuenta estas cosas: - Que la coreografía es parte de la acción y por tanto hay que interpretarla como un texto. - Que al ser un movimiento englobado en un conflicto, tienes que analizarlo como un elemento dramático e inevitable de la historia. - Que tienes que tener solvencia técnica y de movimiento para ser lo más y MEJOR expresivo posible con esa coreografía. Incluyendo cuidar de tu compa?er@. Creo que con esas tres cosas, y la formación correspondiente, la lucha escénica es fácil de abordar e integrar en la interpretación, que es de lo que se trata.

You also need to consider that you must listen to your instructor because one. everything is for your own safety and the safety of others and two. it is also made so that it looks the most realistic as possible but still being fun

I also believe that effective communication would also help in making the process easy. Transparency is also as important, this ensures that no vital information gets withheld which at a later stage introduces trust in a very simplified way. There is nothing as uncomfortable as working with people you can't trust, especially in this specific field.