Here's how you can recover from common mistakes as a photographer.

Quando me deparo com uma foto superexposta, significa que está muito clara ou brilhante. Para corrigir isso, costumo ajustar a exposi??o da camera para um valor menor, diminuir a abertura do diafragma, reduzir o tempo de exposi??o ou diminuir o ISO. é só experimentar essas configura??es até alcan?ar a exposi??o desejada. Mudan?as de ambiente também afetam as configura??es da maquina.

Understand how the light is going to effect your image. What’s your position as it relates to your subject and the light you’re working with. Do you need to move or move your subject, if possible.

Camera's built-in light meters are often fooled into over- or under-exposed images in their entirety or certain sections of the image. There are many reasons for this, so care is required. 1) Shoot in the RAW format. It doesn't improve exposure accuracy, but it has a much higher probability of correcting overexposure in post-processing than JPGs. 2) Keep your histogram live and prevent the graph from stacking- and running up against the right side. 3) Activate the camera's Highlight Alert function. After the image is taken, overexposed areas will blink, calling for possible re-adjustments. 4) Play around with the HDR function to counter overexposure. JPG only. 5) Study the limitations of your camera's native Dynamic Range.

Around the time of noon we have very harsh light which create intense shadows. So if we have to take photo , it’s better to light meter the brightest part of our scene. It gives us under exposure effect on our photos, but avoids over exposure and it’s effects. Or choose another time for photography which gives us lighter shadows and less contrast.

A quick and fool proof way. You can use a white balance card prior to the shoot and check the image histogram for highlight blow out prior to the shoot

Quando minhas fotos saem borradas, geralmente é porque houve movimento durante a captura da imagem. Para evitar isso, uso uma velocidade de obturador mais rápida ou estabilizo a camera com um tripé. Também verifico se o foco está nítido e o ajusto conforme necessário. Se estiver fotografando com pouca luz, aumento o ISO para permitir uma velocidade de obturador mais rápida. Na maioria das vezes eu travo o foco antes de apertar o disparador, assim tenho um controle melhor naquele momento.

We have to fix our camera (in any way) specially in low light which shutter speed decreases. Tripod or monopod can help us to do that. If we have not any of them then a good tip or unwritten rule is helpful “ the shutter speed should related to focal length.” For example if I want to take a photo with a 210 mm tele lens, my shutter speed should be near to it; it means 1/250 seconds. In this way the camera shake in our hand may not be captured during shutter release. It imply the weight of lens which may creates shake can be recovers by higher shutter speed. Of course this is not scientific rule but can help us to avoid blurring.

It's very important that the images are sharp, high speed , high ISO, settings of the camera, helps to the results and in the worse case there are now softwares that fix pretty good the sharpness of the image, careful it can be notice, Autofocus has to be on sharp first then shooting, High ISO for better speed is not a problem any more with the tools for fixing Noise reduction, that offer various softwares

Quando percebo que os destaques est?o perdidos em uma foto, isso geralmente significa que áreas importantes da imagem est?o excessivamente claras, perdendo detalhes. Para corrigir isso, fa?o ajustes na exposi??o para uma configura??o mais baixa, as vezes eu diminuo a intensidade da luz utilizando um flash com difuso para suavizar a luz. Quando isso n?o é possível, fa?o os ajustes no pós-processamento para recuperar detalhes perdidos.

Losing highlights details means our light metering has some problems; -We have high contrast scene - Overexposure is taken place - spot light metering is done instead of multi or average light metering. Sometimes with a flash we can decrease our contrast by filling in dark spaces. In this case a little adjustments for similar light across the photo is needed of course.

Lost Highlights please no way, forget it, it's wrong to make you illusions that something good can come out, it's what it is LOST OF HIGHLIGHTS, is lost. How to avoid it, yes, check the settings of your camera, take a good metering of the subject, chose the right time of the day or control better your studio lights...

Many many years ago, when learning photography at technical colleges- when we were in the darkroom ( not Lightroom !) we had a lecturer that could could do a quick change on the easel and re-frame. They were almost always an improvement. Take great care when composing- and use extra elements to introduce strong lines and edges that lead the eye in , to the subject of your shot

Tento sempre me manter na minha regrinha, "menos é mais". Costumo analisar se estou seguindo algumas regras básicas, como a regra dos ter?os. às vezes, simplesmente realocar o assunto principal para um ponto de interesse mais forte na imagem pode melhorar a composi??o. Além disso, tento garantir que n?o haja elementos desnecessários competindo pela aten??o na foto. é importante manter a simplicidade e a clareza na composi??o. As vezes, desfocar o ambiente ajuda.

Composition may be the most important of visual specifications. Composition is combination of “com” means with and “position”which it’s mean is clear. To express the meaning of the composition by an example we can imagine a dinner table which we have to arrange all dishes, spoons, forks, glasses and meals so as to be logical, useful, practical and nice. We will put not any of these elements on the edge or margin of our table for it would not be useful ( lack of safety) then.

Black and white is your best friend, when it comes to balancing out wonky coloring and eposure. Monochrome photos always add an artsy twist and most clients appreciate the additional flair to the set.

As vezes me deparo com problemas de cor em minhas fotos, quando isso acontece, come?o verificando o balan?o de branco. Isso ajuda para que as cores sejam captadas de maneira precisa e natural, ajustando a temperatura de cor para a ilumina??o específica do ambiente. Se as cores ainda parecerem fora do esperado, posso ajustar a satura??o e o contraste durante a pós-produ??o para real?ar ou suavizar certos tons. é importante também estar ciente da influência das diferentes fontes de luz na reprodu??o das cores e fazer ajustes conforme necessário para alcan?ar o resultado desejado.

I usually try to stay true to the image as shot for color ensuring its balanced. I tend to find most issues with color I run into are real estate photos where lighting from other rooms create a distracting color cast and I usually correct those with masking and applying a separate white balance to those areas to make for a more consistantly lit shot.

When it comes down to it, a photo with technical issues is better than not having a photo of a certain moment. So if you need to run up your ISO, do it rather than miss the moment. Between advances in modern cameras, and post processing software, you might be in better shape than you think. Here's another one - especially for those just getting into photography. Always have a lens on your camera! May seem obvious, but I've seen many people take the lenses off their camera before packing it away. There's no need to do that. Your camera bag will accommodate a camera with a lens on it, so leave it there. That way, you're ready to go when the moment strikes, rather than fumbling with assembly

When I traveled to Tanzania, I brought two cameras with different lenses. I often had both cameras on hand, along with my iPhone. This setup allowed me to capture a variety of shooting distances and simultaneously take videos.

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