What do you do if you want to stay relevant in the ever-evolving world of Theatrical Production?

Theater is always the combination of tradition and innovation per se, which is why it is so important for every individual theater maker and every single employee in the theater to study the traditions and deal with them while at the same time working on a very innovative level. Learning and training is therefore one of the most important skills and terms in theater. The aim is to reflect on social and scientific changes and integrate them into your own artistic work. Every new impulse that comes from outside increases the relevance of a theater production for the audience and therefore for the whole institution.

Innovate, innovate and innovate again. We shape the future. Don't ever accept the "this is the way things are done" mentality. Do something you enjoy and be the best at it.

Everyone has a connection you need. I used to hate "networking" but soon realised that to get anywhere, you need to put yourself at the centre of the world you want to live in.

Estos son los pasos que seguiría: 1- Me posicionaría como autoridad en mi nicho ?Cómo lo haría? Creciendo una marca personal en Instagram, Tiktok y Youtube. 2. Haría colaboraciones con otros agentes estratégicos del mundo del teatro (pueden ser actores, directores, o mismo productores sólo en caso de que haya una intención de asociación y no termine siendo competencia) tanto en videos cómo en acciones concretas como llevar a cabo eventos virtuales, masterclass o lo que sea. De esa manera atraparía una audiencia mayor que esté interesada puntualmente en lo que hago y cómo los puedo ayudar. 3. Haría ebooks, guías y comunidad TODO GRATUITO para atrapar a mi círculo y luego poder mover mis servicios comerciales allí.

Experimentation is EXTREMELY important in theater - it's how we've gotten the greatest contributions to the art form. And it's completely okay if something doesn't work! The most magical moments I've had have come from hours and hours of doing things that don't work.

Read and learn. Follow inspirational, successful people in your field. Learn from them. And remove anyone negative from your following list.

I think being willing to take risks on projects and new ideas as well as with collaborators is for me the place where Theatre alchemy is created. Experimenting is asking the question, what if? Then implementing it with, yes and... using this kind of imaginative playfulness I've created many relevant plays with talented collaborators.

A third way to stay relevant is to research and experiment with new trends, technologies, or techniques that are emerging or changing in your field. Research can help you stay informed, curious, and aware of the current and future developments in theatrical production. You can research online, through articles, podcasts, or videos, or offline, through books, magazines, or journals. Experimenting can help you test, apply, or improve your skills, knowledge, or ideas. You can experiment with new formats, mediums, or platforms, or with new concepts, themes, or messages.

Change is progress. Never get stuck in a rut. Never do the same as everyone else. Be inventive, innovative, adaptable. Own your future.

The biggest roadblock I have experienced when hiring musicians for theater is an unwillingness to just TRY something. Just because a director asks you to try something doesn't mean that it's what the end product will be. Theater is a collaborative art-form. The musicians I hire (and keep hiring) are willing to stand on stage and try interacting with the scene - they see the production in the big picture. The fastest way to get put out of our system is to not try.

Originality is everything. Stand out from the crowd. Piss people off. Push, fight, be that lone voice as ling as you _believe_ in what you are saying.

Being shocking isn't enough - there has to be a purpose behind it. I've seen lots of productions fail because they do "innovative" things, but don't consider the "why" of what they're doing. Sure, you can do something no one has ever seen, but if it's intention is simply to shock and doesn't reflect your artistry, the audience will see right through it.

Unfortunately, time never stands still in the theater, which is why the theater has managed to continue to develop as an institution and cultural technique. Therefore, if you learn throughout your life, your ability to continue to develop and express yourself artistically in a constantly changing environment will increase. Only those who prepare for these changes through learning will be able to concentrate on the essentials of the theater, the artistic production and the artistic work, and to contribute to the institutional development of the theater. If you neglect the ability to learn, you will lose your personal relevance in theater. Then maybe it's time to look for new tasks elsewhere, otherwise you'll endanger the theater.

Something i have found useful to stay relevant in this industry is to be attentive to what's going on around you at all times. For example, you may see when someone is suddenly in a bind and needs immediate help or else be injured/equipment damaged so you are able to give them a helping hand preventing the situation from turning bad. Keeping you and others around you safe. It keeps you updated to changes in procedures and also makes you aware of what others may or may not know about the tasks being performed. As a result you learn new things constantly, can keep yourself and others around you safe, and lets you know where the strengths and weaknesses are in the industry and can make adjustments/ improvements as needed

Isso aqui é exatamente perfeito a etapa final da profiss?o de ator é que n?o há uma etapa final, temos de estar sempre aprendendo e crescendo em todos os ambitos da vida, aprender como ser humano e como profissional, explorar sempre novos horizontes e nunca ficar estagnado, é estar sempre evoluindo aprendendo e crescendo