What do you do if you want to break into the animation industry as a storyboard artist?

Does the leotard have to be black? I have one in sparkly sea foam green.

Watch 100 masterpiece movies a year, study 20 sequences of the best ones. Read great litterature books, Read History, a lot, and take notes. Write your own stories from it. Storyboard your own stories.

Being good at drawing is one thing. Being good at filmmaking is another. Knowledge of film techniques - why scenes and compositions work the way they do - is critical. One way to get a grip on it is to study a film, TV show, or cartoon and sketch what you see shot by shot. Do it enough times and you can start to crack the code. Notice what's in the frame and what isn't. Notice how one scene leads you to the next. Notice camera direction, pacing, timing. All of this will make you a better storyboard artist and make you more employable.

Show your best storyboard work with different styles and stories. Include pieces that demonstrate your cinematic thinking and storytelling skills. Keep updating your portfolio as you improve and tailor it for the studios or projects you want to work with

Develop a strong portfolio showcasing your best storyboard work. Include a variety of scenes to demonstrate your versatility and storytelling ability. Your portfolio should highlight your understanding of pacing, emotion, and visual storytelling.

Animation storyboard samples should vary in styles to match the looks of various shows. 2D storyboards need to be on model. You can find scripts and model sheets of most shows online. Storyboard a short sequence in that style, then move on. Don't do full shows or long sequences.

Get experience, even if it's through internships or small projects Collaborate with local filmmakers or students who need storyboard artists. These gigs offer hands-on experience and networking opportunities. Also, join animation contests or online challenges to hone your skills and catch the eye of industry pros...

Look for opportunities to gain experience, such as internships, freelance projects, or collaborations with independent filmmakers. Even if the projects are small, every experience will help you improve your skills and build your portfolio.

You can only learn of the road map and which road you can walk. But without experience this road, your knowledge is meaningless. People can develop themselves only at the project. School or courses for learning, project for understanding. Also experience will give you a network as well.

Network actively in animation. Go to: Industry events Conferences Workshops Meet pros Connect with storyboard artists and animation experts on social media and forums..

Attend industry events, workshops, and conventions to meet professionals in the animation industry. Networking can lead to job opportunities and valuable connections. Join online forums and social media groups to engage with other artists and industry professionals.

Join ASIFA. They have a large group in LA and ASIFA South in Atlanta. Become a part of the assoc and help out to meet industry insiders.

In my experience Ai driven forum prompts and data collection cannot replace the experience of doing what a storyboard artist does or is asked to do on a film or series production.

Stay informed about industry trends and news to succeed as a storyboard artist. Keep up with studio: Expansions New software New techniques Project demands Being informed helps you make better career decisions and keep your work relevant...

Stay updated on industry trends, software advancements, and new storytelling techniques. Follow animation blogs, podcasts, and online tutorials to continue learning and improving your skills.

Breaking into the animation industry can be challenging, so perseverance is key. Keep refining your skills, seeking feedback, and applying for opportunities. Rejection is common, but don't let it discourage you. Learn from each experience and keep pushing forward.

Be kind It’s not only about how professional you are but also how you work as team. You will be loooot of time working in a project, if you are a pain in the ass nobody will hire you and nobody will recommend you

Pretty boards mean less than you'd think. Some people are great at drafting but can't tell a story to save their lives. And there are artists whose work is a little losey goosey but they tell a cracking story. I want to see you can prioritize. Don't draw things from existing shows.I just need to see you can tell a story clearly. I want to see around 40 seconds of board. Minute at the most. I want to see you can handle drama action and comedy and how you transition from one to the other and combine them. I'm looking for versatile story artists. I'm looking for people I can work with. If you're good but a giant pain in the butt, no thanks. I want someone whose is relaxed, confident and shows me they can work on a team.

Stop waiting for the perfect script, story, characters and animation. Doing whatever is in your head... draw, animation, storyboard anything that comes to mind. so many people spend years waiting or trying to write a perfect script or story for their animation. not because you shouldn't... but because it doesn't matter if you're starting out and want to build portfolio.

As a storyboard artist, I found that networking played a crucial role in my career advancement. Attending industry events and participating in online communities allowed me to connect with professionals who later offered me freelance opportunities and referrals. Additionally, continuously updating my portfolio with new and improved work helped me showcase my growth as an artist and attract potential clients.