How can you manage clients who want to use too many images in the design?

When communicating your recommendations on the number of images a client wants to use in their design, remember to do so diplomatically and be open to finding a compromise. It is important to build a collaborative relationship with your clients and help them understand design principles, as this will ultimately lead to more effective and visually appealing outcomes. Find out from the client the key focal point of their message and educate them on visual hierarchy. Help them to understand the concept of "less is more" emphasizing that too many images can dilute the message and the design's impact. If they're providing the images remind them of them being of high quality and high resolution, and make sure they have the rights to the images.

The way I'll handle this is to politely explain to the client why too many images may not be too good for the project. If possible I send previous works where less images were used and how functional it was.

I convince the customer that using too many images will complicate the message. Then I teach you how to give more effective messages with less images. The design should be simple and say a lot.

To create a clutter-free design, it is essential to understand the client's goals and target audience. Aligning design and image choices with these objectives will help you achieve your goal efficiently and effectively.

It is very important to understand the goals of your client in any design because some designs do need some images. For example, I was asked to create an event flyer with images of the host, speakers, special guests etc. After proper communication, we selected images of the necessary people to appear on the flyer and I organised them in a visually appealing presentation without overwhelming the design.

Quanto mais objetos de aten??o, menor será a concentra??o no que realmente interessa. Procure identificar o que realmente interessa na arte e destaque.

If clients want to add lots of images so we need to design some types of grids images website layout and add some cool interactions on those images.

As you're understanding their goals make sure they're realistic to the outputs they're requesting. A 300x600px web banner cannot communicate every aspect of a brand. Help them break up their goals into achievable pieces of communication. What messages are going to work best and where will they be most impactful? Remember to try to keep the goals relatively singular.

When the client ask to add too many images at the design, I create at list 2 versions, the first version is what the client ask for, the second version is what I think the design should be if I have time I’ll create the third that will be mixed of the previous versions. But when I’ll meet the client and talk with him about the design I’ll explain my choices.

In my experience as a creative designer for a healthcare organisation, I use infographics to explain complex medical topics, making the information more digestible and engaging.

Suggest alternatives like icons, graphs, or typography to avoid image overload. Propose using collages or grids for a more organized layout, demonstrating how these options enhance design effectiveness and meet client needs.

In my experience, as a designer, visuals speak more. A client can be explained to but they still stand their ground on the many images. My approach is to create a quick design with many images and create another with lesser images. From there it's easy to pick it up with a client and perfect the final layout.

First design solutions are good, and icons are my favorite, yet after all the offline production solutions and the social media solutions we have right now, you can always suggest “ video, carousel, clickable link for gallery, or landing page, also offline you can do a pocket with more photos, or mixing different medias by adding on the design a qr code for the photos he wants to add … etc .

The truth is that no matter how much of an expert you are in graphic design, there are some types of design your clients and their audience appreciate more. For example, most upcoming brands always want their brand name or logo to pop! No matter how much you convince them or educate them. if it didn't pop, they wouldn't be satisfied. Creating a balance between satisfying your clients and giving them quality design matters. Also, getting their feedback can help you work effectively with them.

- Iterative Process: Involve the client in the design process by reviewing iterations and discussing what works or doesn't. - Visual Examples: Show the client before-and-after scenarios with fewer images to demonstrate the impact of a cleaner design. - Professional Insights: Share examples from successful campaigns within the industry that use limited, high-quality images effectively. - Client Preferences: Be receptive to the client's input and preferences while guiding them toward best design practices.

Depending on the subject and the visual identity constructed by the designer and their client, having Many images can sometimes be more impactful than having less images. As a designer, I try to understand the client's need and obviously advise on the best visual strategy for their project, this can be achieved by doing several test runs on the target audience.

Seek feedback from clients, listening to their preferences and opinions. Be open to suggestions, but also justify design choices to find a compromise that maintains quality and effectiveness.

I find it helpful to ask why the client wants certain images in a design and what they think its importance is. They might have reasons that they have not yet disclosed to you. I had one client that had an agreement with one of their suppliers that their products would appear in certain types of ads. My client hadn't previously disclosed this to me and at first just told me to add images. When we actually had a discussion about the particular images, I was then able to understand their situation, integrate what was necessary and create a clean design that met everyone's needs. Having an open dialogue is key.

I firmly believe in transparent communication and a smooth workflow. Before taking on any project, I discuss my work ethic and guidelines with clients to ensure mutual understanding and agreement. These details, including the number of allowed revisions, payment terms, and other essential information, are clearly outlined in my price list under the terms and conditions section. This proactive approach helps create a positive working relationship, minimizing potential issues and ensuring a successful collaboration.

Set clear boundaries and limits with clients regarding image usage, revisions, time, and budget. This helps manage expectations, prevent scope creep, and enforce agreed terms and conditions politely when necessary.

One thing I've found helpful is to establish clear boundaries from the start. Let clients know the limits on image count, revisions, and what the timeline and budget allow. This clarity prevents scope creep and sets realistic expectations. If they push for more, a firm yet courteous reminder of the agreed terms can keep things on track. Q: How do we align our revision process with the project's goals and deadlines? Q: Can we agree on what constitutes a reasonable request within our timeline and budget?

Claramente establecer limites es clave a la hora de educar al cliente. Muchos clientes piensan que mas es mejor. Pero como dijo Dieter Rams “Menos es más”. En el cual debemos darles a entender que la calidad del dise?o importa mas que la cantidad. Y también al ser específico y establecer límites uno tienen mayor flujo de trabajo. Esto se logra con buena comunicación, y un presupuesto detallado con tareas, instancias, y tiempos de trabajo específicos.

In the fifth step of the design process, establish clear boundaries and limits with clients right from the outset. Define the number of images, revisions, and the allocated time and budget to prevent scope creep and manage expectations effectively. If faced with requests exceeding these parameters, maintain a firm yet polite stance, reminding clients of the agreed-upon terms and conditions to uphold project integrity.

Trust is the first thing you should build with a new client, and then most of the other things are usually taken care of, including when they pay! :)

Build trust with clients by demonstrating professionalism, expertise, and genuine care for their needs. Communicate clearly, provide updates, and showcase your skills and experience to earn their respect and confidence in your design decisions and vision.

When working with clients who have little to no experience in design, branding, marketing, or any other related field, it is important to understand that they are relying on your expertise and guidance. Therefore, building trust and establishing a strong relationship with them is crucial to the success of the project. It is essential to take the time to listen to their needs, understand their goals and objectives, and communicate effectively with them throughout the entire process. This will not only help you to create a better end result that meets their expectations but also build a strong foundation for future collaborations.

Sometimes a client needs to be told what he needs as opposed to what he wants and here in lies the need for marketing skills. You must not only be a good designer but a good marketer of your skills.

Be human. Avoid using overly-technical language or terms your client may not be familiar with. By using a down-to-earth approach, you'll be better able to build your clients trust.

Un dise?o efectivo comunica un mensaje de forma clara y atractiva. Debemos explicar que el exceso de imágenes dificulta la comprensión del mensaje. Tenemos que mostrar ejemplos exitosos que cumplan las preferencias estéticas y objetivos del cliente, evitando la sobrecarga visual. Enfatiza la importancia del espacio en blanco, elemento crucial para la legibilidad, composición y la jerarquía visual. Equilibra las imágenes y el texto, mejorando la armonía. Aplica la regla de "menos es más". Elige calidad sobre cantidad. Selecciona las imágenes relevantes que más contribuyan al mensaje del dise?o y elimina las innecesarias para mantener la simplicidad. También la tipografía, el color y la composición pueden complementar a las imágenes.

When navigating disagreements with clients over design choices, it's essential to prioritize open communication, mutual respect, and a willingness to find common ground. By fostering a collaborative and transparent relationship, you can navigate challenges effectively and ultimately deliver a design solution that meets both your client's objectives and your creative vision.

You gotta take into account the culture you're living in. Sometimes we designers are fascinated by minimalistic, sparse graphics used in other latitudes, and we see so many of them in books or in the Web; while our own cultures tend to favor bright, bold colors, elaborate textures and a profussion of elements! And that's why some "ugly" designs ultimately work wonderfully to attract business, because they really do speak to their audience.

In my years of working with clients, one thing that always keeps them coming back is the level of trust. And that trust is earned through iterations that consistently meet and exceed client expectations. It’s more of a process than an instruction or expectation that they should trust you. The iterations form a value chain that reaffirms their confidence in allowing you to make choices and decisions in their best interest, particularly in this case regarding the images that will be best suited.

In my opinion, I believe you don’t have to let client go through a lot of process to get their work done for them, moreover, using too many images is not a problem. As a designer you have to know which layout to employ in order to accommodate your design element and that make you a problem solving designer.