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How can dialogue reveal the hidden motivations of a character in a mystery play?

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Mystery plays are a popular genre of theatre that keep the audience guessing until the end. But how do you create suspense and intrigue without revealing too much or too little? One of the most effective tools you can use is dialogue. Dialogue can reveal the hidden motivations of a character in a mystery play, as well as create conflict, foreshadowing, and red herrings. In this article, you will learn some tips on how to craft dialogue that serves the plot and the character development of your mystery play.

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Shivani Jain

Senior Consultant @ Capgemini | TAPMI'24- Dean's Roll of Honor (Top 1%) | TAPMI Achievers Club 2024 | Ex Product…

1 Use subtext

Subtext is what a character means but does not say directly. It can be expressed through tone, pauses, gestures, or actions. Subtext can show the audience that a character has a secret, a lie, or an ulterior motive. For example, if a character says "I'm so happy for you" but sounds sarcastic or bitter, the subtext is that they are not happy at all, and maybe even resentful or jealous. Subtext can also create tension and suspense, as the audience wonders what the character is hiding or what they will do next.

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Shivani Jain

Senior Consultant @ Capgemini | TAPMI'24- Dean's Roll of Honor (Top 1%) | TAPMI Achievers Club 2024 | Ex Product Management Intern @UnitedHealthGroup | Ex Coforge
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In my experience sometimes words don't define the exact motivation of the character not only in a mystery play but in real life too. There is always a backstory to a particular dialogue. Knowing the context is very important while figuring out the motivation behind a dialogue. When someone says, "Of course I trust you", it can mean there is a hint of suspicion while pretending to trust the person.

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2 Use contradiction

Contradiction is when a character says something that contradicts their actions, beliefs, or emotions. It can show that a character is dishonest, confused, or conflicted. For example, if a character says "I don't care about him" but acts jealous or possessive, the contradiction is that they do care about him, and maybe even love him. Contradiction can also create mystery and intrigue, as the audience tries to figure out the truth behind the character's words and behavior.

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3 Use implication

Implication is when a character says something that implies or suggests something else, without stating it explicitly. It can show that a character is hiding or revealing information, or trying to manipulate or influence someone. For example, if a character says "You know what they say about people who live in glass houses" but does not finish the sentence, the implication is that they are threatening or warning someone, or hinting at something they know. Implication can also create foreshadowing and red herrings, as the audience anticipates or misinterprets the meaning of the character's words.

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4 Use variation

Variation is when a character changes their dialogue style, tone, or content according to the situation, the person they are talking to, or their own mood or intention. It can show that a character is adaptable, complex, or dynamic. For example, if a character speaks politely and formally to one person, but casually and rudely to another, the variation is that they have different relationships, attitudes, or agendas with each person. Variation can also create contrast and surprise, as the audience sees different sides of the character or discovers new aspects of their personality.

Dialogue is a powerful tool for storytelling, especially in mystery plays. By using subtext, contradiction, implication, and variation, you can reveal the hidden motivations of a character in a mystery play, and keep the audience engaged and curious until the end.

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Laura Ann Tull

Actress at SAG-AFTRA
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This is another way of saying what's been said. But often motive is hidden in what's not said or in just revealing what characters want and need in either words or actions. Sometimes it's not in the dialog because with film TV there is a visual element. It can be as simple as what the character does or who they want to be around.

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5 Here’s what else to consider

This is a space to share examples, stories, or insights that don’t fit into any of the previous sections. What else would you like to add?

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How can dialogue reveal the hidden motivations of a character in a mystery play?

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5

1 Use subtext

2 Use contradiction

3 Use implication

4 Use variation

5 Here’s what else to consider

Theatrical Production

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How can dialogue reveal the hidden motivations of a character in a mystery play?

1

2

3

4

5

1 Use subtext

2 Use contradiction

3 Use implication

4 Use variation

5 Here’s what else to consider

Theatrical Production

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