Here's how you can guide your clients through the challenges of the music industry as a vocal coach.

Excellent! Couple of personal notes from my experience: Always remember to ask in a student's 1st lesson for any vocal health issues they may have experienced in the past. And, later, if you ever need to advice them to visit a medical specialist, handle It with empathy. No need to add angst to whatever they are dealing with. ????

In my experience as a vocal coach of over 20years I believe that the voice is a muscle that needs to be worked on. The vocal cord is very powerful and can work properly if put in great use

Os profissionais que utilizam a voz como ferramenta de trabalho devem tomar cuidados ainda maiores com sua saúde vocal, evitando abusos vocais(falar muito alto), procurar hidratar-se n?o somente tomando água mas também fazendo inala??o ou nebuliza??o, principalmente quando atuam em ambientes com ar condicionado, o que resseca muito o trato vocal. Em casos de rouquid?o ou desconforto é fundamental a busca de ajuda profissional(otorrinolaringologista).

A few best things for vocal health are three things: Hydration, perfect practice and rest. Hydration is a must to make fluid in your body keep moist your throat n vocal cords to maintain healthy vocals. Perfect practice is easy because perfect practice makes perfect n not practice makes perfect. Do correct the first time slowly and repeat until you get your speed n rhythm. Last but not least is rest. Your body is made to rest n heal. You have to give yourself time to heal from the day or night before. God made us to last forever with rest. Sometimes is not talking n being quiet to heal your voice. The best things in life is to be still n quiet n listen n you hear what you need. ??

Music is a language with infinite language. Whichever type of music it may be, Carnatic, Hindustani, etc. For strong grip, one should make their base strong. One should first practice the basics firmly and then start practicing deeper and deeper. How much ever one is proficient, one should never skip practicing and apply all the basics in different ragas, alapanas, etc. This helps in crafting an authentic narrative reflecting their artistic vision.

It's about identifying and showcasing your unique selling points – the qualities that make you unforgettable. This means more than just selecting the right genre. It's about curating a consistent image that reflects your personality and artistic vision. It's about connecting with your audience through authentic storytelling that resonates and leaves a lasting impact. By developing a compelling brand identity, singers can not only carve out a niche for themselves but also build a loyal following that appreciates their artistry and message. Remember, in the world of music, it's not just about hitting the right notes, but also about striking the right chord with your audience.

Networking is one of the most important units for one who chooses music as their profession. One should start networking from smaller sector. One should never hesitate to sing in front of others, singing at any small functions, festivals celebrated in our home helps build confidence also helps recognize one's talent which slowly increases as time passes., bringing a good reputation.

It's about more than just having a great voice; it's about building relationships and creating a community that supports your musical journey. To network effectively, be present at industry events, open mics, and showcases. Engage authentically with fellow musicians, producers, and industry professionals, sharing your passion and offering support. Utilize social media platforms to connect and collaborate with others. Remember, building a strong network is an investment in your career. By fostering genuine connections, you'll open doors to opportunities and create a lasting impact in the music industry.

"Es ist schlau, schlau zu sein" Es geht darum, Gegens?tzliches zu verbinden und leben zu k?nnen: auf der BüHNE, mit der Stimme, sensibel, kreativ, offen, weich, flexibel zu sein und sich auch verletzbar fühlen und zu zeigen UND im LEBEN klar, stark, verhandlungsmutig, stabil für sich, für Wertsch?tzung und gute Honorare einzustehen. Wenn mir das bewusst ist, kann ich die verschiedenen Bereiche für mich kl?ren und mir erlauben, in unterschiedlichen Situationen unterschiedlichst agieren zu k?nnen. Das tut gut und ist in meinen Augen "schlau"!

This means more than just signing contracts. It's about understanding the intricacies of copyright law, knowing how to protect your intellectual property, and exploring the potential revenue streams from your music, including publishing rights. It's about learning how to read and negotiate contracts, recognizing when to seek legal counsel, and being proactive in your financial planning. Remember, your music is your business. By taking the time to educate yourself and develop your business acumen, you'll be empowered to make informed decisions, protect your interests, and build a sustainable and fulfilling career in the ever-evolving music industry.

Es gibt einige Dinge, die du tun kannst, damit du eine guten Auftritt hinlegen kannst: 1. Bereite dich inhaltlich gut vor. 2. übe deinen Auftritt, sowohl alleine als auch mit einem Gegenüber. 2. Mache ein Vocal und Body Warm Up vor deinem Auftritt. 3. Lerne Atemübungen, die dein vegetatives Nervensystem beruhigen (zum Beispiel LAX VOX? oder die 4/7/8 Atmung). 4. Bearbeite deine Mindset Themen und st?rke deinen Selbstwert im Vorfeld. Und denke daran: Wenn du Menschen auf der Bühne überzeugen und inspirieren willst ist es wichtig, Emotionen mit deiner Stimme und dich als Person wirklich zeigen zu k?nnen. Dafür braucht es eine gewisse Flexibilit?t im Bereich Tonlage, Klangfarbe und Lautst?rke in deiner Stimme.

Raga based intensive practice with akaram and many other identical aspects of singing techniques. Number of compositions teaching on a particular raga and various variations explained through manodharma sangeetam. expression and feel of the composition also explained for more support to singers.

I make it no secret to my clients that this highly competitive industry requires a lot of self-awareness, resilience, discernment and patience. A 'thick skin' is required in order to not succumb to the demands and dynamics of such an environment. It is crucial to develop a routine that encourages regular balancing and re-centering. Practising mindfulness, staying fit and constantly honing skills (vocal and more) will guarantee longevity.

Die eigenen Grenzen zu kennen und sie nicht zu h?ufig zu überschreiten ist essentiell, um gut für sich zu sorgen. Diese Fragen hier k?nnen helfen, sich gut um sich selbst zu kümmern: Sind alle meine Grundbedürfnisse erfüllt? Was brauche ich, damit ich meine n?chste Aufgabe gut bew?ltigen kann? Habe ich heute schon meine Stimme gepflegt oder trainiert? Habe ich meinen K?rper heute schon Ruhe/Entspannung/Bewegung geg?nnt? Brauche ich ein Gespr?ch mit meinen Mentor*innen, meinen Therapeut*innen, meinen Supporter*innen? Eine tolle Voice-Self-Care Methode ist es, übungen mit dem LAX VOX? Schlauch zu machen. Geh?rt für mich als Vocal Coach und S?ngerin zu meiner liebsten daily routine.

I always empasise to my singer students that their mental space will affect their singing. And since the vocal cords cannot be physically manipulated like you would a physical instrument, it's important that their state of mind be at its optimal for good singing.

"In der Mitte des Wirbelsturms ist absolute Windstille" Das ist das Ziel - dieses Gefühl in uns selbst immer wieder im Alltag herzustellen, wenn das Leben um uns herum stürmt und tobt! Den Atem flie?en lassen zu k?nnen, als Unterstützung für die Stimme funktioniert nur, wenn ich und mein K?rper sich wirklich sicher fühlen: dann k?nnen wir optimal die eigene Stimme führen, einsetzen, klar denken, gut entscheiden - gut auf sich selbst, den eigenen K?rper, die eigene Stimme, Stimmung und Wirkung aufpassen: immer wieder und jeden Tag aufs Neue, denn die Stimme reagiert sehr sensibel auf uns und unsere Anspannungen. Fragen wir uns manchmal, was unsere Stimme sich von uns wünscht?

Ao preparar meus alunos, dentro do processo de desenvolvimento vocal, busco incentivar sua autoestima e conscientizar para que valorizem suas pequenas conquistas, assim, n?o ficam condicionados aos comentários (subjetivos) do público que pode comprometer uma autoavalia??o mais acolhedora e condizente com a realidade que vivem. é importante , neste sentido, também, buscar outras atividades que tragam motiva??o, inspira??o e felicidade ao longo doa dias, para n?o sentirem-se pressionados

Ich habe von gro?artigen Lehrern und Lehrerinnen auf der Welt lernen dürfen! Meine wunderbare beeindruckende Lehrerin, die Mezzo-Sopranistin Gail Gilmore, Jahre an der Met und in Verona gesungen, hat zusammen mit Pavarotti gesungen und ihn gefragt, wie er seine hohen T?ne singt. Seine Antwort war: "Wie ein Kind - nicht ?lter als 6 Jahre alt!" Wenn wir das beherzigen und schaffen - auf der Bühne die Freiheit und die Abwesenheit von Angst (vor Fehlern, vor Beurteilung, vor Verurteilung) leben und zeigen k?nnen: dann haben wir es wirklich geschafft! Dann k?nnen wir frei mit der Stimme spielen, wirken, im Flow sein und wirklich kreativ sein!